Mr. H. G. M. K. Wimalasiri
Head - Department of Kandyan Dance | Senior Lecturer (Grade I)
Qualifications: Mphil
Profile:
H.G.M.K. Wimalasiri is a Senior Lecturer (Grade I) in the Department of Kandyan Dance at the University of the Visual & Performing Arts. Known in full as Hamburukale Gedara Mahinda Kumara Wimalasiri, he has an impressive academic background with First-Class Honours in his Bachelor of Fine Arts (BFA) from the University of Kelaniya, where he also completed an M.Phil with Merit. His qualifications include a Postgraduate Diploma in Education from the University of Colombo and another in Writership and Communication from the University of Sri Jayewardenepura, reflecting his dedication to both teaching and communication.
Wimalasiri’s scholarly work focuses on exploring Sri Lankan cultural heritage, particularly in dance and traditional music. He has authored key publications such as Horanewa Ha Samajaya, Kadawara Adaheema, and Lakdiwa Budusamaya Ashritha Thurya Wadana Sampradhaya, Horanewa-The Unique Symbol of Sri Lankan Traditional and Indigenoues Folk Music and Udarata Narthana Shikshawa-01, Udarata Narthana Shikshawa-02 which delve into indigenous music, folklore, and the spiritual aspects of cultural traditions. His research contributions also include insightful papers on national dance forms, the influence of Bharathamuni Natyashastra on Kandyan performing arts, and the role of Buddhist practices in Sinhala dance traditions. These works highlight his commitment to documenting and preserving the intricate layers of Sri Lankan arts.
With extensive teaching experience, Wimalasiri has been an influential figure in both undergraduate and postgraduate programs. At the University of the Visual & Performing Arts, he has taught a wide range of courses, helping shape the academic and artistic growth of his students. His teaching extends to the University of Kelaniya, the CIBA Campus in Kandy, and the University of Colombo, where he has shared his expertise in dance theory and performance. Through his interactive teaching approach, he has fostered a deeper understanding and appreciation of Kandyan dance, making significant contributions to the field of performing arts education.
Wimalasiri has held several key administrative roles within the university, including Head of the Department of History and Theory of Dance and Drama. His leadership has been instrumental in steering academic initiatives and enhancing the quality of education in the Faculty of Dance and Drama. He has also contributed to various university committees, such as the Research Management Committee and the Academic Council of the Centre for Open and Distance Education. Beyond academia, he has served as a member of the State Dance Subcommittee of the Sri Lanka Arts Council and is a Second Lieutenant Officer in the Sri Lanka Army Volunteer Corps, demonstrating his commitment to national service and cultural advocacy.
Guided by a vision to integrate traditional arts with modern education, Wimalasiri aims to create an environment where students can explore both the historical significance and contemporary expressions of Kandyan dance. He adopts a student-centered teaching philosophy that encourages active participation, critical thinking, and creativity. His goal is to inspire students to embrace the cultural heritage of Sri Lanka while developing the skills necessary to excel in the global performing arts scene.
Wimalasiri has made notable contributions to preserving and promoting Sri Lankan dance traditions. As the Secretary of the Sri Lanka Professional Dancers and Drummers Association, he has played a pivotal role in advocating for the rights and welfare of artists. His involvement in setting examination papers for the GCE A-Level and the National Dance Music Examination highlights his dedication to maintaining academic standards in arts education. His scholarly books and research papers serve as valuable resources for future generations, preserving the rich cultural narratives of Sri Lankan performing arts.
In summary, Wimalasiri’s career is marked by a profound commitment to education, research, and cultural preservation. His roles as an educator, researcher, and administrator reflect a holistic approach to advancing the performing arts in Sri Lanka, making him a key figure in the academic and cultural landscape of the country.
He currently works as the Head of the department of Kandyan Dance at the University of the Visual and Performing Arts, Colombo.
Research Interests:
Announcing, Rhythm pattern
Publications:
- Horanawa saha samajaya, Kadawara adaheema
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